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Insights from satisfied users
Memo Sauceda
Emmy-Winning VO, President of OVU, SAG-AFTRA Leader
Source-Connect
Carlos Rondon and I
recorded a voiceover
between his home
studio in Weston,
Florida and my
studio in Monterrey,
Mexico. We did some
comparisons with the
old version of
Source-Connect and
were delighted to
find that
Source-Connect 4 is
more stable, has
less latency (Carlos
couldn’t feel any
latency at all!),
and we found it
sounded even better.
Well done!
Les Wooten
Voice Talent
Source-Connect
I’ve been using
Source Connect since
2007 on a regular
basis (since the
first version). The
new interface is
very user friendly
and the addition of
more settings and
options to utilize
during sessions is
great. Source
Connect 3.9 is and
has been a
dependable method to
connect for sessions
and I think SCv4
will continue to be
that and more. Port
forwarding could
sometimes be a
challenge with SC
3.9 depending on
each situation but
with SCv4, not
having that
requirement just
makes it that much
more attractive.
From my experience,
using the new SCv4,
I would certainly
recommend it without
hesitation.
Jermaine Stegall
Composer / Coming 2 America
Source-Connect
Coming 2 America features a number of surprise special music guests, including Gladys Knight. I was asked to go to Gladys’ trailer and rehearse her part together. She lives in Vegas and had done a recording session, which I was able to be a part of because of Source-Connect. I decided to have her vocal performance transcribed. So I had the printed music of what she sang. I showed up with the music printed that she had already sung, able to help her know where her inflections were and what she needed to do on camera.
Max Howarth
Partner / Producer Red Facilities
Source-Nexus Mute-On
Mute-on is brilliant. We’ve tried a few other plugins over the years that purport to do the same thing but they were nowhere near as elegant (and nice looking) as mute-on. We have an external Shure Microflex talkback mic which is switchable on and off via a touch switch but now we can leave the mic open and insert Source-Nexus Mute-On across that channel, with the setting ‘mute on record’ enabled. We can now have talkback open in all other scenarios other than when we go into record and it works perfectly. Thank you. It’s fantastic.”
Emma Butt
Dubbing / Re-Recording Mixer
Source-Connect
As
an
ADR
recordist
I
have
been
a
user
of
Source-Connect
for
many
years.
To
me,
there
is
no
other
software
that
can
begin
to
compare.
It’s
straight
forward,
easy
to
use
and
reliable.
Sound
quality
and
connection
are
seamless
and
enable
us
to
still
capture
much
needed
dialogue
if
an
actor
is
no
longer
in
the
same
country.
It
allows
all
of
us,
director,
actor,
engineer
and
ADR
supervisor,
to
interact
with
one
another
as
if
we
were
in
the
same
room.
Sarah Taylor, CCE
Editor / Film & TV
Source-Nexus Suite
Source-Nexus Suite made for very efficient virtual edit sessions on a feature film & a web series when our team was spread out across the country. The stream played back so smoothly!
Carlos Rafael Rivera
Composer / The Queen's Gambit
Source-Connect
I’ve never physically conducted a live orchestra for any of my work, I’ve always just worked remotely asynchronously. This time around we used Source-Connect so that we could just log in and hear the audio as the performers were playing in real time. This is the first time that everybody involved in the scoring process has dialled in from different cities. It was actually a pretty smooth process.
John Fippin
Magnetic Studios / Post-Audio
Source-Nexus Suite
The
Source-Nexus
Gateway is a
game
changer. The
ability to
remotely
collaborate
with
clients,
voice talent
and
producers
has gone
from a
luxury to an
essential
capability
and
Source-Nexus
Suite is a
best-in-class
solution.
Sebastian Heyser
Dialogue Supervisor & ADR Mixer / METRIX Media
Source-Nexus Mute-On
With Mute-On you can basically set up smart communication routing without the need of a hardware controller. It can dim or mute signals of your choice within the DAW, triggered by the DAW’s play status or individual key or MIDI commands. And that’s where it gets really interesting for me, I’m finally able to trigger talkback, mute or dim via a simple midi controller.
I’m now able to setup a remote ADR session that will automatically mute production sound when recording, mute the remote signal for the artist inside the booth on record (while the same signal in the control room stays unmuted), dim all sounds and open my line of communication to the remote client by pressing a foot switch that sends a MIDI command to the plugin.
I’m super impressed and happy to have finally found the workflow I was looking for.
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Posts
Our latest news and stories
Sept 29, 2023
Posts & Stories
In November 2023 we sat down with Dave Pensado & Herb Trawick to chat about remote collaboration, production and all things audio.
Nov 17, 2023
This November we were invited to attend the Latin Grammy week and Gala event, hosted for the first time by the city of Seville.
May 25, 2022
Members of the most iconic rock band in the world, Radiohead, briefly touched upon their remote recording process with Source-Connect.
Oct 28, 2023
We eagerly anticipated the AES NY Show this year. It promised to be an extraordinary event, featuring never-before-seen products.
Oct 12, 2021
Alan Parsons monitored from Santa Barbara the his last album Enduring Days You Will Overcome thanks to Source-Connect.
June 07, 2023
Korean-Bilingual voice actor based in L.A serves his clients both in-person & remotely from a broadcast-quality home studio.
Discover our most recent content, including industry news, expert insights, user stories, and tips and tricks to help you improve your remote productions.
